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Works Tatian (120-173) Oratio ad Graecos

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Oratio ad Graecos

24

Τί μοι συμβάλλεται πρὸς ὠφέλειαν ὁ κατὰ τὸν Εὐριπίδην μαινόμενος καὶ τὴν Ἀλκμαίωνος μητροκτονίαν ἀπαγγέλλων, ᾧ μηδὲ τὸ οἰκεῖον πρόσεστι σχῆμα, κέχηνεν δὲ μέγα καὶ ξίφος περιφέρει καὶ κεκραγὼς πίμπραται καὶ φορεῖ στολὴν ἀπάνθρωπον; ἐρρέτω καὶ τὰ Ἡγησίου μυθολογήματα καὶ Μένανδρος τῆς ἐκείνου γλώττης ὁ στιχοποιός. τί μοι καὶ τεθηπέναι τὸν Πυθικὸν αὐλητήν; τί δέ μοι καὶ κατὰ Ἀριστόξενον τὸν Θηβαῖον Ἀντιγενίδην πολυπραγμονεῖν; παραχωροῦμεν ὑμῖν τὰ μὴ ὠφέλιμα· καὶ ὑμεῖς ἢ πείσθητε τοῖς δόγμασιν ὑμῶν ἢ κατὰ τὸ ὅμοιον τῶν ὑμετέρων ἡμῖν ἐκχωρήσατε.

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Address of Tatian to the Greeks

Chapter XXIV.--Of the Other Public Amusements.

What advantage should I gain from him who is brought on the stage by Euripides raving mad, and acting the matricide of Alcmaeon; who does not even retain his natural behaviour, but with his mouth wide open goes about sword in hand, and, screaming aloud, is burned to death, habited in a robe unfit for man? Away, too, with the mythical tales of Acusilaus, and Menander, a versifier of the same class! And why should I admire the mythic piper? Why should I busy myself about the Theban Antigenides, 1 like Aristoxenus? We leave you to these worthless things; and do you either believe our doctrines, or, like us, give up yours.


  1. Antigenides was a flute-player, and Aristoxenus a writer on music and musical instruments. ↩

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Oratio ad Graecos
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Address of Tatian to the Greeks
Le Discours aux Grecs de Tatien Compare
Rede an die Bekenner des Griechentums (BKV) Compare
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Einleitung zu Tatians Rede an die Bekenner des Griechentums
Introductory Note to Tatian the Assyrian

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Faculty of Theology, Patristics and History of the Early Church
Miséricorde, Av. Europe 20, CH 1700 Fribourg

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