Traduction
Masquer
Address of Tatian to the Greeks
Chapter XXIV.--Of the Other Public Amusements.
What advantage should I gain from him who is brought on the stage by Euripides raving mad, and acting the matricide of Alcmaeon; who does not even retain his natural behaviour, but with his mouth wide open goes about sword in hand, and, screaming aloud, is burned to death, habited in a robe unfit for man? Away, too, with the mythical tales of Acusilaus, and Menander, a versifier of the same class! And why should I admire the mythic piper? Why should I busy myself about the Theban Antigenides, 1 like Aristoxenus? We leave you to these worthless things; and do you either believe our doctrines, or, like us, give up yours.
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Antigenides was a flute-player, and Aristoxenus a writer on music and musical instruments. ↩
Edition
Masquer
Oratio ad Graecos
24
Τί μοι συμβάλλεται πρὸς ὠφέλειαν ὁ κατὰ τὸν Εὐριπίδην μαινόμενος καὶ τὴν Ἀλκμαίωνος μητροκτονίαν ἀπαγγέλλων, ᾧ μηδὲ τὸ οἰκεῖον πρόσεστι σχῆμα, κέχηνεν δὲ μέγα καὶ ξίφος περιφέρει καὶ κεκραγὼς πίμπραται καὶ φορεῖ στολὴν ἀπάνθρωπον; ἐρρέτω καὶ τὰ Ἡγησίου μυθολογήματα καὶ Μένανδρος τῆς ἐκείνου γλώττης ὁ στιχοποιός. τί μοι καὶ τεθηπέναι τὸν Πυθικὸν αὐλητήν; τί δέ μοι καὶ κατὰ Ἀριστόξενον τὸν Θηβαῖον Ἀντιγενίδην πολυπραγμονεῖν; παραχωροῦμεν ὑμῖν τὰ μὴ ὠφέλιμα· καὶ ὑμεῖς ἢ πείσθητε τοῖς δόγμασιν ὑμῶν ἢ κατὰ τὸ ὅμοιον τῶν ὑμετέρων ἡμῖν ἐκχωρήσατε.